Tuesday, September 25, 2001

Bizarre elevator experience #1: Saturday night, I am heading out to meet some people. I press the button for the elevator. Wait. And wait, and wait and wait. Finally, one comes.

Inside, a girl stands beside a big boombox which is playing some song from the 80s which I cannot seem to remember or identify, and I am tempted to make up some similar song of the same genre (think Cyndi Lauper. But not quite.) but that would defy my journalistic integrity. Or something. Anyway, random girl is singing 80s song, complete with hand motions. Like she's not humming it, she's belting it. There are two other people in this elevator already, apparently not with boombox girl. And nobody seems to think anything of it.

I got on floor 18, and I can't be quite sure how long this 80's music fest had been going on in the elevator, but there are 25 floors in my building, so I assume not that long. Anyway. It wasn't until somewhere around the tenth floor that one of the other people in the elevator turns. (This was, by the way, a middle aged woman, with what looked like a nurses' coat on, and bringing along a suitcase, which is in itself a little odd to see in a college dorm on a Saturday night... but I digress.) Anyway, middle aged woman turns, and of all things to ask, of all questions that could possibly be running through her mind at this point, looks at the boombox, at the girl, and says "Is that yours?"

The girl nods. The woman turns back to face the wall. Nobody says anything.

I got off at the lobby, in sort of a hurry because this whole thing has been a little odd and because I like to think I'm important and I need to get somewhere, even if that's not really true. I didn't hear boombox girl walk out after me, so I'm not really sure if she did. I don't know. Nobody in the lobby seemed to think much of it though. Why? Why am I the only one who notices these things? Am I on candid camera?


------

Bizarre elevator experience #2: Sunday evening, I get in an elevator at the lobby. Start going up. At floor 12, a kid gets on, hits 17. We continue up. We stop at floor 17, as one might expect. Except said kid first just looks around the elevator, like maybe this is my stop. No, I'm 18, I think. But I don't say that. I don't say anything — this is an elevator and he is a stranger. Why would we talk? Anyway.

After pretending it isn't his stop, the kid sticks his head out a little, looks around the corner, studying that indeed the wall is marked with a 17. He looks truly puzzled. The doors close, the elevator goes up to 18. I get off. Kid stays on.

The elevator is now empty, except for this kid, who has no further buttons pushed, so he's now subject to the whims of the elevator, I suppose, and will ride it where it takes him, maybe in search of whatever floor he thought he was pushing when he hit 17. I don't know.

Strange people live in my building. Maybe I should take the stairs.

[10:45 PM EST] [4]

Tuesday, September 18, 2001

There is not enough time in the day or night to fit in a solid eight hours of quality, uninterrupted sleep I fear. And even when there is, I wake up before I mean to.

Yesterday, I woke up at 7:30, in a panic, tried to get up out of bed to run out the door and do God knows what, but was overcome with dizziness I was so tired. I fell back asleep, but I don't think it was enough.

I keep having really weird dreams.

I want to take a nap.

[10:27 AM EST] [4]

Monday, September 17, 2001

I know I'm not the only one who does this now, but I wish I didn't jump at the smallest things.

I live in a city, I tell myself. Not the nicest neighborhood of a city. There is are two major hospitals only a few blocks away. There are bound to be ambulances and police cars and fires, I tell myself. I shouldn't jump to look out the window, gripped with fear each time I hear one.

The other night, still wide awake as the skyline slipped from black to grey to silvery blue, I found myself paralyzed with fear at the sight of a plane, flying rather low, right by my window. My window looks out south and even on a not-so-clear day, I have an easy view of planes coming in for landing at the Philadelphia airport. I know this. I shouldn't be so freaked out by it, but damn, it's hard not to be.

And the thing is, the things that scare me so much, the monsters that really keep me awake at night aren't really the planes or the sirens or even the thought of bombing people and going to war and all the horrible things that go along with that — they scare me yes, but I can dissociate myself from it enough. And anyway, I never really trusted those things in the first place. I think what shakes me up the most are the things that all my life I trusted without really even questioning that went ahead and betrayed me anyway. Without me even realizing it.

I know I'm being vauge, but I don't know what else to be. Some things aren't real until you say them on paper, where you can see them and encounter them again and as real as I know it is, I'm not sure it's time to deal with that yet. But anyway.

It's so strange how clearly I can see myself going through the stages of dealing with it. I don't know why it interestes me to look at it that way, like it's not really my life, but just some psychology case study where I can say 'Oh yes, these are the signs of denial, the first stage of dealing with it,' and later, 'Well, now that she can't deny it anymore, see how angry she gets?'

Reeling is a good word to describe where I am now. I mean, what are you supposed to do? I don't want to be rash and rush to burn bridges, but at the same time, I damn well don't want some bridges crossed by some people ever again. Ever.

It would be easier to do if I thought he was sorry, but I don't. And that's something I don't even really understand, because even though I have dreams in which I scream every obscenity and hateful remark I can think of, and in one, I even beat him to death, I at still feel guilt enough over it that I feel sorry, that I could concievably feel the need to apologzie. And still, he doesn't. I'm sure he doesn't even know why he should apologize to me.

And then I think I must be a pretty awful person. Thousands of people lost their families and I'm sure I look like I am taking everything for granted, going on like this. But in some ways, I feel like he did die. Except it's hard to mourn it because someone I hate took over his body.

Anyway, I know one tragedy isn't really related to the other, and the latter's been going on much longer. I've been dealing with it for longer. And in a way, when so many things go so horrible at once, it's sort of easier, you can divert your anger and pain between all those channels, shift the weight around and keep going.


[11:16 AM EST] [1]

Wednesday, September 12, 2001

There are so many voids today.

Gaping hole in the New York skyline. Skeletal remains of the Pentagon. All the families, I can't even imagine. And then there's this feeling that I think is in everyone, that I can't quite put my finger on or explain — a mix of shock, disbelief, horror and greif.

I can count my blessings today: the aunt, whose flight left Boston sometime shortly after eight a.m. yesterday landed in Buffalo, safe, and ok. The cousin who works in the Pentagon had to go somewhere else on business yesterday. The friend I didn't even know was in the Pentagon is, in fact, ok. The sister who was supposed to be heading to Germany is saftely in the country.

Except that term, safetly, seems so questionable. I can't help but jump everytime I hear a siren. We jump for the phone when it rings and I keep waiting for the other shoe to fall. Bad things happen in three's, this stupid supersticious voice says to me.

I know I am lucky. My family is safe, my friends are ok, and I don't think I knew anyone who died yesterday. But there's still this huge void, where I just keep thinking how things can't really be the same again. I don't want to fly, I don't want to be in a big building. I don't know what to think.

I went over to the newspaper offices at school after I got in touch with my mom. I don't think I'd really gotten a good sense of how completely horrific everything was until I got there, started watching the phone calls and furious typing, and how there was just this horrible tension, and nobody ever thought they'd be writing stories like this.

"We write stories about dining. On a good day, someone gets fired."

The horrible replays were going endlessly on the tv. Those pictures are indelibly printed on everybody's minds now I think. The second plane crashing, one tower crumples, then another — and it doesn't seem at all real. It can't be. I don't know how you're supposed to react to that.

I tell myself I'll give blood, and that'll be something. Except I feel like for the most part, this is all so far beyond anything I can control, and things are so changed, and I can't find the words to explain things, but my prayers and thoughts are with the victims and their families.

[03:44 AM EST] [1]

Monday, September 10, 2001

My elevator got stuck this morning, on the 17th floor. The doors were open about two inches, and fortunately, we were able to force them to open all the way, get out and wait for another, but for a minute there, I was really pissed off and concerned, which, of course, manifested itself in the form of giggles.

(I am such a girl.)

Yesterday, coming back from the grocery store — more specifically, coming back from a big shopping spree at the grocery store which had culminated in the purchase of a five-pound bag of potatoes, a large jar of applesauce and a lot of frozen entrees — the elevator stopped on the 14th floor. The doors opened and we could see in the elevator across the hall, someone was stuck. Actually stuck. Like the doors were four inches open and he was just looking out, trying to pry them open, but looking really bothered and repeatedly hitting the alarm button.

The elevators in my building do not have phones in them, which I thought violated some fire code, but maybe not. I don't know. (I've rarely seen an elevator with a phone in actual working condition, anyway. Usually, they've been torn out and molested in some bored riders attempt at vandalism, or perhaps frustration.) Anyway, all you can do is hit the damn alarm button over and over, and hope you'll really piss of someone enough to come rescue you. Or something. I'm sure that's not the actual wording on the little "In case of emergency" signs in the elevator, but any logical person would realize that's just about your only option.

As I was saying — our doors slide open on the 14th floor. We see the kid, stuck in the elevator. I think he's actually calling out 'Help, help!', but I can't be sure because just then, our doors close. And we head back downstairs. Down, down, down, from the 14th floor, which isn't quite my final destination (18th floor), but was fairly close.

So the elevator takes us all down to the lobby, which must be some sort of programmed response when they momentarily turn off the elevators, which apparently, they were doing, because apparently said kid had been pressing the button long enough to annoy someone. But now, the lobby (as lobbies generally are) is on the ground floor. Eighteen floors below where me and my five-pound bag of potatoes want to be.

There was some frenzied pushing of buttons that just refused to light up for a minute or two before reality hit: I have to be somewhere in half an hour. I really do not want to go there with my five-pound bag of potatoes and other groceries. Like, I really don't. I don't even want to be late, that would just be bad. This doesn't really give me a lot of alternatives. I consider putting my groceries somewhere downstairs, in the lobby for the time being, but the only secure location I have access to is a mailbox that's has a four-inch square opening, and I really don't think my potatoes will fit in there.

And so I — your intrepid and out-of-shape narrator — braved 18 flights of stairs in a poorly-ventilated, often smoked-in back staircase, to put my damn potatoes away.

But there is a happy ending to this all, which is that, just after I got to my door, my neighbor across the hall walked by, looked at me all out of breath and bedraggled looking and probably thought I was crazy, but let me know that she'd just gotten off an elevator and wasn't aware of any problems with them. So anyway. I got to take them back down, at least. That time, anyway. I am still very suspicious of this whole system, and though I like the view from this far up, I really, really, really don't want to do that again, like, ever.

[09:44 AM EST] [3]

Wednesday, September 5, 2001

I know how it goes. Because I want to write, or I feel obligated, and I want to feel like I do write, or something, I'm not sure how to put it, but there's a lot of good intentions involved and a lot of procrastination too. And not a lot actually gets written.

Lately, I feel like most of my writing has been in the form of tightly-written one-sentence paragraphs in neatly lined up news columns. Which I sort of like, but then I ask myself why do I do this, like really, why do I? My interest isn't so much in being a good reporter, at least, I don't think it is. I'm not sure what it is. I just tell myself I can't expect the great American novel to flow from my fingertips, so I'll sort of do this for now. And I sort of do like it. I just don't like the interviewing and worrying and stuff. And I'm not exactly sure how I feel about writing stuff when people are looking over my shoulders and stuff, though I am getting better at that.

And then I wonder what will happen when more of my writing is in the form of long, literary papers with a philosophical bent — classes start tomorrow. I've been here two weeks and I still haven't been to a class yet. And I've been letting things slip now, I think when classes start, I don't know what will happen.

Except I sort of look forward to it. I miss feeling really productive and really busy for days on end. The last time I remember a really busy streak like that was just a small window in June, maybe three weeks where I found myself stuck with about 65 hours of work a week. And even then, I mean, I didn't go home from TCBY or PartyLite and really worry about things I needed to do there. Because really, I didn't care. If I had walked into one of those jobs the next morning and been told I'd been fired, I would've considered it a blessing in disguise (a thinly veiled disguise at that).

But school and the paper aren't really like that. They both matter more to me in a big picture sense, as I guess they should. They are sort of a factor in that "rest of my life" scheme, or at least, they probably are. Who knows what that will really encompass. But right now, I'm going to assume they are, because if I start reasoning things like that to myself now, well, it's just not good. Priorities. Set them, keep them, I say (before promptly completely losing sight of them and spending hours picking lyrics to put in my AIM profile.)

But I digress. Anyway. Here's to the start of a new semester.

[11:31 PM EST] [3]

Tuesday, September 4, 2001

I never knew there were so many sirens in West Philadelphia, but it seems almost hourly that the air is pierced with the sounds of police officers swiftly heading to some unlawful scene. Or fire engines, or ambulances — but you'd think I would've heard more of those last year, living a block away from the hospital and all, but not really.

The acoustics here work so that every conversation, all but the most whispered of confessions, fly up to my window. I like to sleep with the windows open — the damn wind tunnel effect provides enough wind to cool any room down and fresh air never did anybody any harm, but every morning, I am woken to the sounds of car alarms and honking horns, if I'm not woken sooner by a drunken exchange or heated argument eighteen floors below.

There are no peepers to be heard. Birds don't wake me with their singing, and I can't decide which I liked better.

[02:37 AM EST] [1]

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